it's the time of the season

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Well that was a bit of a dark patch. Just about all the way through this latest relapse, though it does seem that my left leg isn't going to get back all its function and I will need to carry a cane from now on (I can walk, but if I stay on my feet for more than 15 minutes my leg gets very tired and difficult to move).

I've spent about six weeks away from the office, the longest period for four years, and the place was still standing when I returned (drat I'm not indispensable). With my left hand AWOL I couldn't do most of the thing I enjoy - no typing, couldn't make chord shapes on my guitar, couldn't use a camera & couldn't work in the darkroom - I wrote a little with a pen, but that was about it.

I listened to a lot of music - lots, about twelve hours day - mostly stuff from the late sixties. Some I knew, but a lot I didn't (I think I've personally helped Amazon weather the credit crunch). One huge discovery was the Zombies' 'Odessey and Oracle'... recorded the same year I was born I'd only ever heard one track off it ('It's the time of the season'), but it was an amazing revelation... it added three songs to the select list of songs that make me cry ('Here, There and Everywhere','God Only Knows' and another I'll not mention).

At first I thought I was affected by the sheer beauty of it - the sound's quite spare, but filled out with mellotron and all manner of singing - harmony, counterpoint and even polyphony). However, the more I listened I realised it was largely because many of the songs are about dealing with loneliness or the break up of relationships. I've lived alone for years and haven't had a break up to worry about for years, but when I'm not in work I pretty much spend my entire time inside myself.

The first song 'Care of Cell 44' is a boy writing to his girl in prison... a bit of a reverse from the norm. This is weepy song number one... there's an a capella vocal before a swoosh of mellotron and a key change take you into the chorus. It's so jubilant, it chokes me every time.

It's followed by another weepy track, the very beautiful 'A Rose for Emily'. It's about a woman who has only her pride to protect her from her loneliness - it should be depressing, but the music is so very perfect... and I probably identify with her too much to allow myself to wallow... just shed an occasional tear.

Less emotionally affecting is 'Brief Candles' where each verse is about a separate character reconciling themselves to a break up, either by laughing at themselves, realising they're 'better off that way', or just enjoying the self-pity. On a par is 'Changes' where the singer compares a girl he knew to the four seasons, contrasting that with her now materialistic attitudes.

There's one song I sometimes skip, not because it's bad but because I find it upsetting. 'The Butcher's Tale' is about a young soldier in the Great War, homesick, frightened, possibly shellshocked and forced to look at the decomposing body of a friend hanging on the wire in front of his trench. It's not sung by the band's main vocalist, and the singer's voice is often on the very edge of cracking... I just can't listen to it that often.

Before the final and most famous song on the album is my favourite - 'Friends of Mine' where he sings about how happy he is to have two friend who so obviously love each other, but it also points at a sadness in the singer's life. That may be a bit too deep an analysis of what is a fairly lightweight, jaunty track, but that's how I - and the tears - roll :)

I've just realised that this blog entry reads a little like the interludes in 'American Psycho' where Patrick Bateman shares his views on the significance of the most banal pop acts. Some albums though just become inextricable parts of periods of my life, and I will always associate. 'Odessey and Oracle' has been a good companion through some fairly dark weeks, and with the announcement of a new treatment for MS that can possibly reverse some of the damage already done... I'm seeing a new neurologist in January and I'm hoping to take part in the next round of UK trials (though I've bought a swanky new cane just in case).

Comments

Good To See You Back

joannebarbarella's picture

We've missed you. I've never heard of the group so now I'll have to try and find the album. I've also read about the new treatment for MS and it sounds very promising so I hope you get a chance at it. I'll be looking out for your next story,
Hugs,
Joanne

Thanks, I'll Give "Odessey and Oracle" a Listen

I'm a contemporary of their recordings as I graduated high school in 1967, but I'm only really familiar with "Time of the Season" and "She's Not There".

Glad that you are better. Hope that you recover fully. Take care of yourself.

Happy to have you back!

Sorry to hear about your latest bout with MS, glad that you're coming out the other side; I'd heard that there was a new treatment & I'll have to do some research, see if there might be something to ease my father's pain.

Thank you for the music recommendation; it's been a long time since I listened to that album, so I'll have to see what I can find online.

All the best,

YW

He conquers who endures. ~ Persius

a sucker for harmony

I hope it doesn't disappoint, cos I have the feeling it's quite a singer's sort of album, and I tend to go overboard for part singing. Having someone to sing with is one of the things I miss most about living in Wales - I know people up here who can sing (and a lot better than me), but they don't have the almost instinctive feeling for ad libbing harmony parts you get with people who've been doing it all their life... I started very early on in Sunday school, as did most of my friends - they aren't freaked out by my adding s falsetto descant. I really have to watch out in chapel during the hymns, as everyone else sings very quietly, and if I wander off the melody it puts everyone off (except the organist, who's also Welsh) :)

I'm back writing - 'First Day at Merrimount Abbey' is almost complete, and then it's back to 'On Her Own Petard' which I'm determined to bring to a conclusion. In fact I'd best crack on...

Don't Worry About Me

I love harmony too. Buffalo Springfield, Crosby Stills Nash & Young, The Hollies are among those that come to mind. 'Odessey and Oracle'is on order.

Looking forward to more of Stevie and Penny.

That's interesting

I'm no fan of pop and rock type music. I suspect I'm simply not a musical person. But your description of 'Odyssey (Odessey?) and Oracle' sounds intriguing and with similar themes to one of my favourite lieder cycles - Mahler's 'Des Knaben Wunderhorn' - as many of the songs have similar gut wrenching themes although the Mahler has a few more light-hearted songs as well.

Glad you're coming through a bad patch although your limited use of the left leg isn't so good. I've suffered with restricted movement and chronic pain for some years after a high spinal injury but at least mine isn't progressive and I've learned to cope though I still grumble with frustration at times.

Geoff

Baroque Pop

I have to admit to being woefully lacking in knowledge of Sixties pop, beyond the usual hit singles and Beatles albums, so it's been a voyage of discovery for me. 'Baroque Pop' was a term I'd not heard until I started looking for similar sounds to the Zombies' - it's not strictly desriptive, usually just referring to layered harmonies but O&O is the only album I've heard where there's more than a sniff of counterpoint in the vocal arrangements - probably because several member of the band had formal musical training... the most baroque of their songs isn't on the album... 'Imagine the Swan' was recorded after the original group had disbanded - its harpsichord part is not quite a direct lift from Bach/Gounod's 'Ave Maria' but it's close, and the vocal line in the verse is pretty much a continuo. It would probably sound very naive placed against Mahler's lieder, but I don't mean that to sound critical - somewhere around here I have a short story based on the folk tale theme of Mahler's 'das Klagende Lied'... it's one of those things of mine perennially on the backburner - it's called 'the Bonesinger'.

I've been having fun with my sixties set story writing songs for the band in it, and trying to come up with distinct styles for their two songwriters... the lead singer writes little social comment vignettes a la Ray Davies, and I'm working on a song describing an old station master who buys his station after it closes... don't have much more than..

Mr Roper's old red flag is hung behind the door
his whistle too, he doesn't get to blow it any more
the platforms are deserted, the station buffet closed
the ticket office blinds are drawn, all the porters have gone home.

whereas the drummer writes mildly psychedelic love songs which the singer doesn't realise ar about him...

the sun shines my steps are vacant arrows
I am transparent, I cast no shadows
I am glass to you,
or some spectral blue that melts into the sky
what can I do my love to catch your eye?

my words hang like dandelion seeds
soft and silent secrets, a rumour on the breeze
a far away song
slowly drifting along into the sky
what can I sing my love to catch your eye?

or even

dragonflies are magpies in disguise
gossamer thieves adrift in languid skies
stealing saffron strands to bind their prize
the topaz stone and turquoise in your eyes

all a bit cheesy, but fun and I haven't even tried setting them yet :)

There is a film...

Aljan Darkmoon's picture

There's one song I sometimes skip, not because it's bad but because I find it upsetting. 'The Butcher's Tale' is about a young soldier in the Great War, homesick, frightened, possibly shellshocked and forced to look at the decomposing body of a friend hanging on the wire in front of his trench. It's not sung by the band's main vocalist, and the singer's voice is often on the very edge of cracking... I just can't listen to it that often.

There is a film, also about a young soldier in the Great War, called Johnny Got His Gun (1971) that is even more upsetting…and deliberately so. I saw it shortly after it was released; many images from it are still stuck in my mind. It is worth seeing, though, for all of that. (Word has it that the 2008 remake is rubbish, better to see the original if at all possible.)